The Partially Examined Life Philosophy Podcast

Alan released two albums with folk-rock band Knots and Crosses in the early 90s, put out one solo album, then became a recording engineer and earned a PhD in ethnomusicology. He released three albums between 2010-2019 fronting Birdsong at Morning and put out two more solo albums.

We discuss "Just Like Water" (and listen at the end to "Somewhere There's a Train") from Floating on the Dreamline (2026), "The Great Escape" by Birdsong at Morning from A Slight Departure (2015), and the title track to Curve of the Earth (1993) by Knots and Crosses. Intro: "Neon Dreaming," originally from Evidence (1994). More at alanwilliamsevidence.com.

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Concluding on "Culture and its Realm of Actuality," in Hegel's Phenomenology via sections 519-526.

We get into some of the ironic psychology here: In giving loyalty to the king, the nobles actually boost themselves qua givers. They should be grateful to the king to get wealth back from him, but being dependent on the king makes them resentful. The result is duplicitous people resenting those they claim to esteem, and moral language that is thus used inconsistently (the king is "good" when praised by "bad" when resented), which encourages jaded moral nihilism.

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BJ is an LA improviser/actor/TV host (who teaches wounded warriors among others), and he chats with Mark and Mary about migratory patterns, TV shows that date you, how to draw in students, the realness of birds, and playing unsafe characters.

Scenes include a forced-Fargo college experience, improv class on the roof, spying on birds, and keyboard warriors. Plus Marge and Larry.

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We discuss the hard sci-fi film Project Hail Mary, which along with The Martian (2015) was based on a novel by Andy Weir and adapted by Drew Goddard. Mark, Lawrence, Sarahlyn and Al consider how hard we actually like our sci-fi, the directors of these films (by Lord/Miller and Ridley Scott respectively), how the books got adapted, Weir's other work (Artemis, some webcomics, etc.), and more. How does Weir make a series of scientific problems into an actual, enjoyable plot?

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Continuing on Hegel's Phenomenology, "Spirit" chapter, now up to sections 511-526, which finishes off the sub-section of "Self-Alienated Spirit" called "Culture and its Realm of Actuality."

Whereas in our last discussion, obeying the state (public power) ran counter to hoarding wealth (private power), at this stage, the two converge, because the state gets concentrated in a single monarch who both receives our power and doles out wealth to his supporters. So putting your effort into obtaining private wealth ironically requires surrendering your agency (and hence wealth) to the state.

Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion.

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