HISTORY This Week

November 16, 1961. Fourteen college students from Iowa have driven nearly a thousand miles to the White House. They’re fasting, protesting, and calling for an end to nuclear bomb testing. These students, later known as the Grinnell 14, will help ignite the student peace movement of the 1960s.

Actor Peter Coyote (then Peter Cohon) was one of them. He joins us to remember how it felt to grow up under the shadow of the bomb, why they believed Kennedy’s “peace race” could change the world, and what happened when they found themselves face-to-face with the White House.

Special thanks to Peter Coyote. He requested we credit him as a “good person,” which we agree with.

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Cover art: Peter Cohon protesting in front of the White House on Nov. 16, 1961, AP Photo/Harvey Georges

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November 3, 1880. Congressman James Garfield wakes up on his quiet farm in Ohio to learn that he’s been elected President of the United States. He never campaigned to be on the ticket. He never wanted the presidency. But the nation, weary of corruption and hungry for reform, has chosen him to lead.

But four months after taking office, Garfield will be shot by a man who believes he’s owed a government position. And the president’s short, remarkable life will end in tragedy.

This week, we’re talking with writer and showrunner Mike Makowsky, creator of the new Netflix series Death by Lightning, about the extraordinary story of America’s forgotten president. How did Garfield rise from poverty to the presidency? What might he have achieved if he’d lived? And what does his assassination reveal about political violence, then and now?

Death by Lightning releases on Netflix on November 6th. It’s an adaptation of Destiny of the Republic by Candace Millard, which we also consulted for this episode.

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October 28, 1895. It’s the first day of a murder trial in Philadelphia, and H.H. Holmes has been left to represent himself. His lawyers say they haven’t had time to prepare for his case, although they may just want to avoid defending the man some newspapers are already saying is “sure to grace a gallows.” Holmes has been accused of murdering his business associate, but rumors swirl that he may have killed dozens, even hundreds more.

A century later, some still call him "America's first serial killer." But how did H.H. Holmes earn this reputation? And why is it so hard to learn the truth about this legendary fiend?

Special thanks to Adam Selzer, author of H.H. Holmes: The True Story of the White City Devil, and Harold Schechter, professor emeritus of literature at Queens College and author of Depraved: The Shocking True Story of America's First Serial Killer.

** This episode originally aired October 25, 2021.







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October 19, 1814. An eager audience files into the Holliday Street Theater in Baltimore, about to see a debut performance, described as a “much-admired new song.” The composer of this song, Francis Scott Key, had written the lyrics during a recent battle in Baltimore, trapped on a British ship as he watched the rockets red glare from afar. Key wasn’t a professional songwriter – a prominent lawyer in Washington D.C., he specialized in cases related to slavery, both defending enslaved people and slave catchers. But his real legacy became this song, entitled “The Star-Spangled Banner.”

How did Key come to watch the Battle of Baltimore play out from the deck of an enemy ship? And how did his relationship with race and slavery shape the song we now call our national anthem?

Special thanks to authors Marc Leepson and Tim Grove for sharing their voices and expertise for this episode.

** This episode originally aired October 19, 2020.

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October 24, 1945. The Charter of the United Nations is signed, promising to “save succeeding generations from the scourge of war.” Back when the charter was drafted a few months earlier in San Francisco, delegates from around the world gathered to build a new era of peace and human rights. 

Among them is Mary McLeod Bethune, the only Black woman in the U.S. delegation, and she already sees the contradictions beneath the moment: colonial powers writing freedom into a document that excludes millions. Years later, journalist Marguerite Cartwright will carry that insight forward, holding the UN to the ideals it claimed to represent.

Why did these two Black women believe the UN was so important, when their own country continued to deny them equality? And how can their work reframe the way we view the struggle for Civil Rights beyond U.S. borders, for all nations?

 Special thank you to Keisha Blain,  professor of Africana Studies and History at Brown University and author of Without Fear: Black Women and the Making of Human Rights.



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