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History That Doesn't Suck


History That Doesn't Suck

167: The Golden Age of Sports: Horse Racing, Boxing, Basketball, Football, & Jim Thorpe

Mon, 07 Oct 2024
“We have a basket and a ball, and it seems to me that would be a good name for it.”

This is the story of America’s varied athletic endeavors (besides baseball). Though each sport could provide enough material for an entire episode, it would probably run us into overtime, and the 1920s are drawing to a close. As Black Thursday approaches, it’s time for some last-minute fun and games. 

The 1920s is the Golden Age of Sports—fans can’t get enough of the races, the ring, the court, or the gridiron. Of course, in the case of horse racing and boxing, the love of the competition is combined with the heady rush of gambling. But even when there’s no money changing hands, sports still draw people in. There’s simple bloodlust; boxing legends like John L. Sullivan and Jack Johnson are ruthless, and football actually gets so savage that it’s almost banned entirely until Teddy Roosevelt and a few others intervene, (much to the relief of fans today). There’s also novelty. James Naismith’s game “basketball” is a true original. But the most compelling factor is probably witnessing human excellence, best exemplified by the American Olympian dubbed “the greatest athlete in the world.” 

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166: A Conversation on Negro Leagues Baseball History with Bob Kendrick

Mon, 30 Sep 2024
As a follow up to episode 165 America’s Favorite Pastime: Baseball, we’re proud to share an interview with Bob Kendrick, the President of the Negro Leagues Baseball Museum in Kansas City, MO. Founded in 1990, the NLBM is the world’s only museum dedicated to preserving and celebrating the rich history of African-American baseball and its profound impact on the social advancement of America.
It’s the perfect time to share more about the history of the Negro Leagues because, in the spring of 2024, Major League Baseball officially incorporated the statistics of over 2,300 Negro Leagues players from 1920–1948 into its record books. These statistics are now a permanent part of American professional baseball history. Read more about this milestone and peruse some of the updated records at MLB.com. You can also read about the rigorous process by historians to gather and validate these records in this 2020 memo from MLB.
Want extra innings? Become a premium member to hear an extra segment from this conversation with Bob Kendrick, where we talk about Major League Baseball, finally adding player stats from the Leagues into the official record.
Bob Kendrick has been associated with the museum in one way or another since its founding. He was first a volunteer during his 10-year newspaper career with The Kansas City Star. Then he became the museum’s first Director of Marketing in 1998 and held various other leadership roles before being appointed president of the organization in 2011. And while he doesn’t fashion himself to be a historian, Bob has become one of the leading authorities on the topic of Negro Leagues Baseball history and its connection to issues relating to sports, race and diversity. 
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165: America’s Favorite Pastime: Baseball, the Negro Leagues, and the Great Bambino

Mon, 23 Sep 2024
"As I hit the ball, every muscle in my system, every sense I had, told me that I had never hit a better one . . . I didn't have to look. But I did. That ball . . . hit . . . exactly the spot I had pointed to."
This is the story of the most American sport: baseball. 
Americans have been playing ball for a good long while now—even General Washington enjoyed an occasional game of catch—but baseball as we know it only emerged around the 1850s. That’s also about the time when people started forming leagues: the National League, the American League, the Federal League, yada yada, you get the picture. There are quite a few, and they’re mostly the same, except for the Negro League, headed by Andrew “Rube” Foster (pitcher and president extraordinaire). Professional baseball remains segregated until Jackie Robinson breaks the color line in the late 1940s. But let’s not get ahead of ourselves! 
Baseball evolves from its colonial beginnings to become an entertainment staple by the early twentieth century. In the 1920s, the good name of the game has just been sullied by the 1919 World Series scandal, but baseball’s popularity hasn’t taken a serious hit. This era boasts a panoply of players, and people can’t seem to stay away from the stands. You see, George Herman "Babe" Ruth has just been traded to the New York Yankees, and he’s always playing to win.
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164: Harlem Renaissance: The Great Migration, Jazz, and the Flowering of Black Culture

Mon, 09 Sep 2024
“Harlem is the queen of the black belts, drawing Aframericans together in a vast humming hive . . . from the different states, from the islands of the Caribbean, and from Africa . . . It is the Negro capital of the world.” 
This is the story of the Harlem Renaissance. 
In the early twentieth century, many Black families and individuals down South are finding that the only way out is up—to the North. Driven by Jim Crow discrimination and harsh economic realities, hundreds of thousands of African Americans head to cities like Chicago (the “promised land”) or Harlem (“Black Mecca”). This Great Migration fosters communities of gifted artists, and eventually, the rest of the country takes notice. 
By the 1920s, Black culture is truly blooming. Up-and-coming writers including Zora Neal Hurston and Langston Hughes are crafting literature we still consume some 100 years later. Master musicians like Cab Calloway and Ella Fitzgerald are scattin’ up a storm in New York clubs. And let’s not forget the visual arts! The Harlem Renaissance features countless artists that contribute mightily to American culture and Black identity: let’s meet just a few. 
(Audio of Cab Calloway was recorded in 1982 at the White Plains Public Library in White Plains, NY, and used with their permission. We are grateful to the library and encourage listeners to support their local public library for the services they provide.)
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163: The Show (Boat) Must Go On: Broadway and the American Musical

Mon, 26 Aug 2024
“Miller, Lyles, and I were standing near the exit door . . . Blake stuck out there in front, leading the orchestra—his bald head would get the brunt of the tomatoes and rotten eggs.”
This is the story of American musical theater and the dawn of modern Broadway. 
Popular entertainment is evolving fast in the early twentieth century. Minstrel shows just aren’t drawing the same numbers anymore (for good reason), and burlesque and variety shows abound. The earliest “official” musical, The Black Crook takes several notes from these sometimes scandalous shows, as do Flo Ziegfeld’s new “revues.” By the 1920s, composers, writers, and choreographers are experimenting with what a musical production can do: using songs to advance the plot (thanks Hammerstein!), and incorporating new music genres like jazz. 
Big players including George Gershwin, Noble Sissle, and Irving Berlin all play a role in crafting the perfect environment for the American musical to emerge, but the production Show Boat really gives a glimpse of the future of musical theater. It entertains even as it tackles heavy topics, and the score is seriously moving. It’s difficult to anticipate how audiences will receive this new form—less pompous than a European operetta, but definitely more substantial than one of Ziegfeld’s musical revues. So, without further ado . . . take your seat, the show’s about to begin. 
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