City Arts & Lectures

We’re going back to the archives for a 2019 conversation with Meg Wolitzer, whose best-selling books include The Interestings and The Ten-Year Nap. Wolitzer brings readers deep into the lives of her characters, and her clear prose, is infused with sharp observations about group dynamics and ambition. A feminist thread runs throughout all of her work, particularly in her novel “The Wife,” a satirical portrait of a marriage between an acclaimed writer and his overlooked and uncredited spouse. It was adapted into a movie starring Glenn Close.
 On January 24, 2019 , Meg Wolitzer came to the Sydney Goldstein Theater, to be interviewed by New Yorker writer Adam Gopnik. The two talked about her just-published work The Female Persuasion, an investigation into power and different generation’s conflicting concepts of feminism. 

This week, we’re returning to a conversation with Charlie Kaufman, recorded in 2020. Kaufman is the Oscar-winning screenwriter behind some of the most inventive films of recent years, including “Adaptation”, “Eternal Sunshine of the Spotless Mind”, and “Being John Malkovich”.  He’s also directed films including “Synecdoche, New York”.  His work often explores human memory and consciousness, with a style frequently described as surreal.  At the time of this conversation in 2020, Kaufman had just published his debut novel “Antkind”.  On July 13, 2020, Charlie Kaufman discussed the book and his films with Andrew Sean Greer, who won the Pulitzer Prize for his comic novel “Less”. 

Writer Carmen Maria Machado discusses “I Who Have Never Known Men”, a 1995 novel by Jacqueline Harpman that was republished in 2022 to great acclaim.  It’s a work of speculative dystopian fiction about a group of women who are apparently the only survivors of a global catastrophe.  Machado wrote the introduction for the new edition, and on December 12, 2025, she came to the Sydney Goldstein Theater in San Francisco to talk with KQED’s Alexis Madrigal about the book and its connections to her own work.  

 Eleanor Coppola (1936 – 2024) was a conceptual artist and documentary filmmaker. She met her husband, Francis Coppola, in 1962, when she worked as Assistant Art Director on his first feature. Dementia 13. Eleanor went on to make several behind-the-scenes documentaries for films directed by her family. Her books include Notes: On the making of Apocalypse Now and Notes on A Life. At the age of 80, Eleanor directed her first feature film, Paris Can Wait.  Eleanor Coppola’s final memoir, Two of Me: Notes on Loving and Leaving, was published posthumously in November of 2025. 

On December 5, 2025, Eleanor Coppola’s daughter, director Sofia Coppola, came to the Sydney Goldstein Theater in San Francisco to read from and discuss her mother’s work.  She was joined by two friends of Eleanor’s who edited her memoir, radio producer Davia Nelson and writer Vendela Vida. 

This is an encore of a program originally broadcast in May of 2025. 

Ross Gay is a writer with a mission: to help readers explore the beautiful complexities of joy, gratitude, and delight.  In his essays and poetry, Gay brings his overflowing kindness and relentless eye for details to community gardens, the lives of Black people, the artistry of basketball, and much more. He is the author of the poetry collections Catalog of Unabashed Gratitude and Be Holding, and the essay collections The Book of Delights, Inciting Joy and The Book of (More) Delights.

On May 2, 2025, Ross Gay came to the Sydney Goldstein Theater in San Francisco to read from his work and talk with poet and editor Aracelis Girmay.