BBS Radio TV Station Streams

Sons of Liberty Radio with Bradlee Dean

Where We The People Are Called To Submit To Tyranny: Romans 13, the Great Seal, and America's Christian Founding

In a solo broadcast, Bradlee Dean argues that scripture never commands believers to submit to tyranny, walking listeners through Romans 13, the hidden motto of the Great Seal, the Magna Carta, and the fiery furnace of Daniel to make his case.

Romans 13 and the Limits of Authority
Bradlee Dean opens the broadcast alone with a direct answer to listeners who quote Romans 13 to argue Christians must submit to any government. He reads the passage in full, then challenges anyone who treats it as unconditional obedience, asking whether a Christian would really submit if a president revived the medieval custom of prima nocta, the king's claimed right to a subject's bride on her wedding night. Dean argues all human authority is limited by its purpose: a father cannot abuse his family, an employer cannot control an employee's private life, and a civil magistrate's authority is confined to punishing evil and protecting good. He stresses that Romans 13 itself defines government as a minister of God for good, with no authority to terrorize people who do right, and that any ruler who oversteps that boundary forfeits divine protection. He is cut off mid-sentence by music as he begins discussing Moses and the Egyptian taskmaster, a thread picked up later in the hour.

A Thesis of No Submission to Tyranny
After the show's theme and a station identification describing Sons of Liberty as grounded in a Christian biblical worldview, Bradlee Dean greets listeners and lays out his thesis for the day: nowhere in the Word of God, the Mayflower Compact, the Declaration of Independence, the Bill of Rights, or the Constitution are the people told to submit to tyranny. He insists he seeks lawful reformation, not overthrow of the Constitution, only of the men who pervert it. He retells John Hancock signing the Declaration in oversized letters so the British crown would not need spectacles to read his name, quoting Hancock's line that resistance to tyranny is a Christian duty. Dean then turns critical, naming Franklin Graham and claiming Graham urged Donald Trump to delay acting on abortion, while abortion funding rose under Trump past six hundred million dollars, higher than under Barack Obama, a figure Dean does not source. He gives out the call-in number and invites challengers to phone in.

A Caller's Testimonial and Attacks on Pastors
A caller named Carl, from Delano, Minnesota, offers a brief on-air testimonial praising Sons of Liberty's content as truthful guidance through disinformation and plugging Dean's Sunday service. Back from the break, Dean resumes his critique of prominent pastors, naming Mark Driscoll and John Hagee alongside Franklin Graham, calling them Zionists and controlled opposition who teach congregations to hide behind prayer instead of confronting corruption. He broadens the charge to Billy Graham, claiming decades of propping up political corruption, and reads Jeremiah 23:14 on prophets who commit adultery, walk in lies, and strengthen evildoers, applying it to an evangelical advisory board around Donald Trump that he says contains no genuine Christians. Dean then reads Revelation 2:9 and 3:9 on a synagogue of Satan to argue, without citing supporting scholarship, that Zionists are not actually Jewish, and challenges any of the named pastors to call in and answer him directly rather than remain silent.

The Great Seal's Hidden Motto
Dean turns to the Great Seal of the United States, displaying what he says is Thomas Jefferson's edit of a design first proposed by Benjamin Franklin and John Adams: Pharaoh in his chariot pursuing the Israelites through the parted Red Sea while Moses, lit by a pillar of fire, extends his hand over the waters. The motto beneath it, Dean says, was meant to be Rebellion to tyrants is obedience to God, and he argues most Americans have never seen this history connecting the nation's founding symbolism to Exodus. He calls it proof the founders understood government's purpose as described in Romans 12:21, to right wrongs rather than demand blind submission. Dean then introduces English jurist William Blackstone, crediting him with commentaries on English common law that he says are built on the Torah's commandments and statutes, quoting Blackstone's line that no human enactment can be considered law unless it conforms to God's unchangeable moral law.

Founders' Quotes, Magna Carta, and a Fading Church
Between advertising breaks, Dean reads a string of quotations: Puritan preacher John Owen and theologian Francis Turretin on grace and effectual calling, Patrick Henry's warning that bad men cannot make good citizens and that forgetting God forges tyrants' chains, and John Hancock's call to resist tyranny as a Christian duty. He recaps a broadcast from the previous day covering the Magna Carta and 1 Samuel 8, where Israel demanded a king like the surrounding nations, reading it as a rejection of God's own kingship. He quotes nineteenth-century House Speaker Robert Winthrop's line that a people not ruled by the Word of God will be ruled by the bayonet. Dean laments that the church, which he calls society's moral compass, has largely abandoned a love for truth, citing Charles Spurgeon's lines about dust-covered Bibles and shepherds replaced by clowns entertaining goats. He closes retelling Frederick Douglass's account of praying twenty years before putting his own feet to his prayers and gaining freedom.

Healing Prayers and the Fiery Furnace
In the final hour, Dean addresses a listener he calls Sears B directly, inviting him to Sunday service so Dean can pray for his healing, citing scripture on Jesus healing the oppressed. He contrasts that promise with a story about a transgender athlete who criticized the United States while competing abroad, then sought the American government's help after running into legal trouble overseas, which Dean uses to argue critics should appreciate the nation they are quick to condemn. He revisits Patrick Henry's Caesar had his Brutus speech and the cry of Treason it provoked, then retells Moses commanding Pharaoh to free the Israelites and Nebuchadnezzar's furnace in Daniel 3, where Shadrach, Meshach, and Abednego refuse to bow to an idol and emerge unsinged after a fourth figure appears in the flames. Dean frames their defiance as the model for obedience to God over earthly rulers, tells listeners he is only halfway through his material, and signs off until the next afternoon's broadcast.

Tony Alamo

Ep285 How to have God's life living in you Part 183

Teaching Sin Versus Power, Mount Sinai's Ten Commandments, and the Vision Behind Difficult Mountain

World Pastor Tony Alamo preaches program 285 on the difference between sin and the power of God, moving from Genesis through Mount Sinai to his own Beverly Hills conversion, while co-host Sharon reads listener testimonials and Jack Holcomb sings two hymns.

Program 285 Opens With Tithes And Warnings
Tony Alamo opens program 285, part 183 of his series How to Have God's Life Living in You, reminding listeners that CD or cassette copies of the message go out free, with the ministry covering postage and handling. He warns that withholding tithes and offerings from God amounts to theft, invoking Ananias and Sapphira as a caution to anyone who holds back money while gospel programs like his feed listeners truth in what he calls the last days before Christ's return. Turning to Genesis, Alamo recalls that God gave Adam and Eve a single commandment, not to eat from the tree of the knowledge of good and evil, and that disobedience is the clearest meaning of sin. He insists no one can understand sin without reading the Bible, and that the human race today lives ignorant of both sin and the power of God that answers it, a power he says belongs entirely to Jesus Christ.

Sin, Power, And The Word Made Flesh
Alamo builds his teaching on the difference between sin and power, quoting John's gospel that the Word was with God and was God, and that the Word became flesh in Jesus. He tells the congregation that sinners carry no power of their own and must come to Christ, in whom all power in heaven and earth dwells, to be washed in his blood and filled with the Holy Spirit. Once cleansed, he says, a believer no longer needs to sin, since the dividing wall between the soul and God is removed and the fullness of the Godhead enters in. He contrasts the law that came with Moses against the power and truth that came with Jesus, telling listeners who already sit in churches that these lessons are not redundant but are meant for souls still lost in the world. A congregation member answers twice with Amen as he presses the point.

Mount Sinai, The Vatican, And A Beverly Hills Vision
Moving through Genesis and Exodus, Alamo describes Noah's Ark settling on Mount Ararat after God destroyed a world so filled with sin that only Noah's family survived, then turns to Mount Sinai, where God made his covenant with the newly chosen nation of Israel. He says the world's hatred of the Jewish people stems from their status as God's chosen, and widens his target to the Vatican, which he calls Satan's church, the one-world government, and a Satan-controlled media working together to persecute true born-again Christians. He recounts Moses fearing and quaking before God's voice on the mountain and the Apostle Paul trembling at his conversion on the road, then turns personal, describing his own conversion forty-two years earlier in a Beverly Hills office, where he says the Lord's voice came through his whole body, his natural hearing shut off, and he learned for the first time that heaven and hell were real.

Jack Holcomb Sings As Fear Of God Is Taught
Alamo tells the congregation he has been hard on their ears and invites Brother Jack Holcomb to sing, introducing "'Tis So Sweet to Trust in Jesus" as a demonstration of the lesson he has just taught. After the performance, Alamo resumes his account of Mount Sinai, describing the people of Israel falling on their faces in terror as God's booming voice rattled their bones, smoke rose from the mountain, trumpets sounded, and an earthquake accompanied the giving of the Ten Commandments, which he says every person in Israel heard directly. He connects that scene to modern skepticism, noting that people today try to deny the Holocaust despite photographic evidence, just as they deny the reality of God's spoken law. He then tells the congregation it is time to lighten the mood with listener testimonials, prompting a congregation member's laughing request for a break.

Letters From Boston, New York, And The Bronx
Co-host Sharon reads a run of listener testimonials, starting with Pearlene, an eighty-three-year-old woman in Boston who called the ministry's witnessing line unsure whether a real person would answer, then described how her minister was stunned to see Alamo's Dry Bones testimony printed in the Boston Globe; Alamo asks the congregation to pray for her Parkinson's diagnosis. Sharon continues with a New York woman awaiting a cancer scan who found the tract Difficult Mountains in the Daily News, prompting Alamo to explain that the piece came from a vision of himself and his late wife Susie climbing a steep, darkening mountain together before her death from cancer in April 1982. Further calls come from women in the Bronx and on Long Island, one asking to be added to the mailing list and another requesting a photograph of Alamo, who agrees to send one.

Calvary, Scripture Readings, And A Closing Prayer
Returning to teaching, Alamo argues that the moral law still stands under grace, quoting Galatians that scripture itself calls the law necessary, and insisting that Jesus magnified rather than erased commandments against adultery and murder by extending them to lustful thoughts and unjustified hatred. He describes Christ's crucifixion at Calvary as the full measure of sin's cost, correcting the King James rendering of Christ's cry from the cross with what he calls the proper Aramaic translation, "for this cause was I brought into this world." Sharon reads supporting passages from 1 Timothy and 2 Peter on the lawless, seducing spirits, and the coming fire that will dissolve the heavens, as Alamo warns that unrepentant haters belong to the body of Antichrist. He leads the congregation in a spoken sinner's prayer, gives the program's mailing address and phone numbers, and closes as Jack Holcomb sings "All the Way My Savior Leads Me."

The Care Compass

Bob Ross, Galleries, and the Healing Power of Art with Tamara Holcom

Dame Nicole Brandon welcomes Prescott, Arizona artist and gallery curator Tamara Holcom on her birthday to talk Bob Ross, oil painting, and how art can heal seniors, children, and anyone navigating hard times.

Birthday Wishes And A Warm Welcome
Nicole Brandon opens The Care Compass with her usual weekly update on her parents, sharing that her father now calls every day perfect simply because he is with her mother. She introduces today's guest, Tamara Holcom, an artist, instructor, and gallery curator in Prescott, Arizona, and wishes her a happy birthday before the conversation begins. Nicole draws a connection to one of her favorite musicals, Sunday in the Park with George, which follows an artist's journey, and recalls the show's famous line that the two most important things in the world are children and art. She tells Tamara that creating something that moves people requires the artist to be moved first, a point she credits to Michelangelo. Tamara thanks Nicole for the introduction and says she feels a connection between them that goes deeper than the surface, setting a warm, personal tone for the hour ahead.

An Artist's Origin Story
Tamara Holcom traces her path into art back to her former father-in-law, Andy, a gentle painter from Ireland whom she would watch for hours during his long visits. Inspired, she began watching Bob Ross on television and signed up for Bob Ross classes at Michaels, the craft store chain, alongside an admiration for painter Thomas Kinkade. She explains that those three men shaped who she became as an artist, instructor, and curator. Tamara shares that she trained in Muncie, Indiana, inside the very house where Bob Ross filmed his PBS series, now preserved as a museum on the grounds of Ball State University. She notes that Bob could complete a painting in twenty-seven minutes, a feat she says still takes her closer to ninety minutes, and recalls that a Prescott restaurant open late at night plays his videos, giving Nicole a quiet place to unwind. Bob Ross died in 1995, but Tamara says his legacy lives on through the roughly six hundred students she has taught in the past year alone.

Teaching Painters Of Every Age
Tamara describes the Bob Ross technique as free of drawing, which lets complete beginners create beautiful paintings using palette knives and fan brushes within a single class. She tells Nicole about Lennart, a Swedish student who began painting with her at seventy-four years old, never having picked up a brush before, and who has since completed seventy-two paintings and started winning contests at the Prescott Valley Library. Nicole connects this to her own experience with a hospital research program where children with chronic pain who practiced art therapy became pain-free, and asks whether painting offers seniors similar relief. Tamara agrees, explaining that students become so absorbed in the moment that hours pass unnoticed, pulling their minds away from past worries and future anxieties. The two also discuss the practical differences between oil and acrylic paint, with Tamara favoring oil's slow drying time because it lets her correct mistakes, while acrylic dries fast and works better for quick techniques like dripped backgrounds.

From The Studio To The Auction House
Tamara walks Nicole through her growing footprint in Prescott, starting with The Studio, home to about twenty-five local artists and artisans selling everything from six-dollar earrings made of melted candy wrappers to her husband's multi-layered wooden mandalas. She explains that the gallery has been voted best art gallery two years running precisely because it welcomes every budget, not just collectors. Nicole and Tamara then turn to the newly opened Auction House, designed with a nineteen-forties speakeasy atmosphere of black feathers and red couches, where First Friday auctions will rotate through monthly themes, starting with Michelangelo and his lesser-known habit of burning work he considered subpar. Tamara shares that a ten percent buyer's premium from the auctions will support local charities including Destiny House and the Lower 22, and that she hopes to start a fund specifically for underprivileged children whose artistic talent might otherwise go unrecognized. Nicole immediately offers to help build that fund.

Painting Through Pain And Limitation
The conversation turns to accessibility, as Nicole asks about students whose hands shake or whose eyesight is failing. Tamara recalls a woman with macular degeneration who could barely see, so Tamara painted roughly seventy-five percent of the canvas herself while the woman applied the colors she chose, purples and yellows, and left with two finished paintings she still displays in her bedroom. Tamara says she always offers alternatives for people with arthritis or tremors, working through compassion rather than turning anyone away. Nicole, who runs arthritis-related wellness programs herself, appreciates the approach. The two also discuss art for children, including a Bob Ross kids kit with acrylic paint safe for young hands, and Tamara's long-running summer camp, where a boy named Jack sold his first painting at age nine and now proudly calls himself a professional artist. Asked to define art, Tamara says it must evoke a feeling and resonate with a person's soul, not merely look pretty.

A Lifetime Of Art, Open To Everyone
Nicole learns that Tamara spent twenty years running her own advertising agency in Michigan, negotiating media buys for clients, a background Tamara says taught her the puzzle-solving skills she now uses curating the gallery and planning auctions. Looking ahead, Tamara describes plans for a deeply discounted back room of affordable art, framing services, and gift certificates for both classes and merchandise, ideal for holiday giving. Nicole asks what colors and artwork best suit assisted living rooms and senior centers, and Tamara recommends letting residents choose pieces that truly resonate with them, since contrasting colors create the visual pop that lifts a space. Nicole shares a childhood memory of her father, a longtime Merrill Lynch vice president, finding calm in an art book after stressful days. Closing the hour, Tamara directs listeners to prescottfineart.com and her gallery's phone number, while Nicole thanks her warmly and reminds listeners that resources, support, and art itself are always within reach, no matter where they are.

Signs of Life with Bob Ginsberg

Tattoos, Terrier-Faced Sons, and Dimes From Heaven: Mediums & Messages with Sirry Berndsen

On this Mediums & Messages hour of Signs of Life, host Joe Perreta welcomes certified medium Sirry Berndsen back to talk about scientific testing of mediumship before turning the phone lines over to three callers hoping to hear from fathers, husbands, and a lost son.

A Retreat Announcement and a Returning Medium
Joe Perreta opens Mediums & Messages on Signs of Life Radio for the Forever Family Foundation, inviting listeners to call in live at the show's toll-free number and suggesting a landline for the clearest reception. He thanks sponsor Hugs from Heaven, which turns loved ones' clothing into keepsakes, and previews the foundation's Winter Grief Transformation Retreat running January fifteenth through seventeenth, an all-inclusive weekend he notes was featured on the Netflix series Surviving Death. Before opening the phones, Perreta introduces tonight's guest medium, Sirry Berndsen, describing her as a certified Forever Family Foundation medium, grief recovery specialist, Reiki master, and multilingual visual artist originally from Iceland who has traveled widely. The two trade warm, teasing banter about social media oddly surfacing Perreta's posts on Berndsen's feed, and about the habit of posting lighter content to draw people toward more serious work, setting a familiar, easy tone between old friends before the evening's readings begin.

Inside the University of Virginia Lab
Perreta and Berndsen revisit their shared experience being tested at the Division of Perceptual Studies at the University of Virginia, a quadruple-blinded study delayed by the pandemic that Berndsen completed in February of 2020, just before shutdowns began. Both recall being sealed inside a soundproof, vault-like room wired with roughly sixty electrodes to monitor brainwaves, forbidden to move for fear of creating recording artifacts, and given no feedback on accuracy the way a normal reading allows. Berndsen laughs about the gel cap tangling her thick hair and about being told to receive and stop receiving on command, unlike her natural flow. She recalls an MRI scan afterward and hearing researchers say mediums' brains light up differently, while Perreta jokes that he still keeps his own MRI disc in a drawer at home. Both call the Forever Family Foundation's own certification test the hardest they have faced, though Berndsen says she passed on her first try.

A Guarded Question About Star Beings
Berndsen shifts to a recent research request from an unnamed organization asking mediums about non-human intelligence, which she says touched on what she calls star beings, describing having had several back-and-forth encounters she once feared made her sound crazy until other people validated similar experiences. She declines to give details, saying it is not her place to share what was asked, though she notes the reporting period has just closed. Perreta says he also contributed a different, unrelated validating story to the same inquiry without elaborating. Both agree the broader science of consciousness and survival research continues quietly behind the scenes even when the public hears little about it, and that such work extends well beyond spirit communication alone. Perreta then reintroduces Berndsen by her full name and website, spiritoflight.com, joking about mangling her Icelandic surname, before the two finally turn to the night's three waiting callers.

Kathy and a Father Taken by Lung Cancer
Kathy from Pennsylvania asks for a connection, and Berndsen brings through a man she places as Kathy's husband, a father of two who died from lung cancer that spread to his brain, affecting his speech in his final two months. Kathy confirms he passed three days before Thanksgiving, after nearly fourteen years. Berndsen describes a grandson born in 2023, a daughter who lives near farmland and recently miscarried, and a coming pregnancy she says he will help guide to term around a February tied to his brother's birthday. She also names found dimes, which Kathy says happen constantly, and mixed-up family names shared between relatives. Kathy confirms detail after detail, including the brain-related illness and a prior reading with another medium that first brought him through, before Berndsen closes by promising the grieving heart will feel joy again near the holidays.

Susan, a Sudden Loss, and Joe's Own Family
Susan from New York asks for a connection, and as Berndsen describes a man who died suddenly away from home with a chest-related cause, Perreta interrupts, startled that the details match his own late grandfather, who suffered a heart attack while driving and whose death his mother did not learn of until later. Berndsen, visibly unsettled that the message crossed over to the host, briefly reads for Perreta before apologizing to Susan and resetting. She then confirms Susan lost a son, a young man whose T-shirts remain boxed in a closet, who struggled with substance use and mental health from his mid-teens, and who died of what Berndsen describes as an accidental overdose. Susan confirms the son had a patchy, terrier-like beard and that she and his father once quietly worried how long he would live. Berndsen closes by saying the song My Way by Frank Sinatra represents his peace with how his life unfolded.

Peggy's Husband and a Call to Bring Back Laughter
Peggy from Pennsylvania asks for her husband, and Berndsen describes a man with a chin dimple like actor Kirk Douglas, a lover of elaborate Christmas lights and impressions in the style of Saturday Night Live performers, who was not a dancer, which Peggy confirms by saying he simply never liked to dance. Peggy mentions a pond in front of her house, which Berndsen had sensed, and confirms three daughters who no longer speak to each other since his passing, though one checks on her occasionally. Berndsen says his message centers on restoring laughter and joy to a family that has grown quiet in grief, especially around the holidays. Peggy asks whether he is sending someone else into her life, and Berndsen says she cannot confirm that, only his wish for joy to return. Perreta thanks Berndsen, who says her calendar is booked into January, and closes the broadcast reminding listeners their loved ones are a heartbeat away.

The Music Hustle with Ramell Douglas

The Super Fan Economy, Phonorecords V Rate Wars, and Protecting Your Music From AI

Ramell Douglas flies solo this week, breaking down the rise of the super fan economy, the looming Phonorecords V rate wars, and a full playbook for protecting an independent artist's music, voice, and likeness from AI cloning.

Opening With The Super Fan Economy
Ramell Douglas opens this solo episode of The Music Hustle with his signature call to rebuild the system and welcomes listeners to BBS Radio TV. He dives into what he calls the rise of the super fan economy, explaining that smart independent creators use Facebook, Instagram, and TikTok only to pull traffic toward platforms they actually own, rather than relying on passive streaming income. Douglas warns that major platforms keep adding family-sharing tiers and price hikes that squeeze fans, forcing independent artists to raise their own prices in turn, which he calls a hard rock and a hard place. He argues that building a following entirely on borrowed platforms really just builds those platforms, since artists see only pennies on the dollar and lose direct access to fans the moment engagement is needed most. For Douglas, true ownership means directing traffic home.

Tiered Subscriptions And Brand Meaning
With streaming now flooding platforms with more than 150,000 new tracks a day, Douglas tells listeners that raw stream counts alone can no longer sustain an independent career. He walks through how artists and labels are shifting toward value engagement, building tiered subscription communities, Patreon-style models, VIP experiences, and direct-to-fan merchandise instead of chasing plays. He describes keeping exclusive, non-public content for paying tiers and spending a full year focused on VIP supporters rather than mainstream releases, calling the practice de-risking via owned channels, a way to bypass constant algorithm changes. He connects this to subscription fatigue among listeners worn down by repeated price hikes, arguing that oversaturation makes generic self-marketing look like a scam. The fix, he says, is meaning behind the brand, pointing to Family 1st Music Group's own family-first identity as proof that a real message, not just talent, is what makes fans invest.

Rate Wars And Alternative Financing
Douglas turns to the business machinery behind the music, flagging the 2028 through 2032 rate wars as Spotify, Apple, Amazon, and Google file rate proposals ahead of the next Phonorecords V proceedings that will decide what streaming services pay songwriters and publishers. He urges listeners to research the proceedings themselves and call in with questions so the show can dig deeper together. Douglas also describes an admin tax draining independent creators' time as they juggle fragmented file-sharing tools, distribution portals, messaging apps, and analytics dashboards, predicting a push toward unified workflow management. He notes that specialized financing platforms such as Pipeline, backed by major investment firms, are changing how independent companies fund catalogs, marketing rollouts, and infrastructure, reshaping how creators get paid. Throughout, he promises to keep tracking these shifts for The Music Hustle audience so independent artists are not caught off guard by changing rules.

Shielding Your Music And Voice From AI
Douglas shifts into a detailed breakdown of protecting creative identity from generative AI, starting with federal copyright registration covering both the Performing Arts share for lyrics and composition and the Sound Recording share for the master, stressing that registering within three months of release preserves the right to statutory damages. He explains opting out of metadata tagging to limit what AI web crawlers can scrape, and introduces audio watermarking and poisoning tools like Glaze and Nightshade that alter files at the wave level to block AI training without affecting human listeners. Embedding ISRC and ISWC codes, he says, lets automated systems catch unauthorized sampling or voice cloning. Because voice and likeness fall outside copyright, Douglas points to Tennessee's ELVIS Act and state right-of-publicity laws, plus trademarking an artist's name and logo with the USPTO, and insists every distribution contract must now carry explicit anti-AI clauses barring machine-learning use of masters, composition, voice, or likeness.

A Hundred-Dollar Spotlight And Shout-Outs
Douglas thanks the BBS Radio TV network before announcing a new promotion for The Music Hustle: every week for the next several weeks, his A&R team will review submitted songs and award $100 to the track hitting hardest, while also playing the winning artist across BBS Radio TV and Family 1st Music Group's marketing channels. He directs artists to The Music Hustle Facebook group and the F1MG Updates Instagram channel for submission links, and mentions posting free VIP content there for now, with an exclusive marketing push coming next week that he keeps deliberately vague. Douglas also reveals he has been meeting with art centers in New York to open more doors for the community. He closes the segment with shout-outs to supporters in Africa, Buffalo, Seattle, North Carolina, Miami, Los Angeles, and Chicago, thanking everyone tuning in across Instagram, TikTok, and Facebook for keeping The Music Hustle's momentum going.

EPKs, Networking, And Pushing Why
Douglas circles back to a topic from the prior week, the electronic press kit, explaining that any artist submitting music to a radio station, A&R, or producer needs a professional EPK containing a bio, song details, analytics, and platform history, since an unlabeled MP3 sent cold rarely gets heard. He says he keeps separate EPKs for himself as an artist, for his record label, and for The Music Hustle itself, and offers to build one live on air with a future guest so listeners can learn the process alongside him. Douglas stresses that networking only pays off when it aligns with an artist's brand, and he invites performers seeking tour slots to reach out, noting his promoter contacts are connected to major acts. He closes by urging listeners to stream his single Why, calling it a song that is touching the world right now, before the station announcer signs him off as Ramell Douglas, live on BBS Radio TV.