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The Music Hustle with Ramell Douglas

The Super Fan Economy, Phonorecords V Rate Wars, and Protecting Your Music From AI

Ramell Douglas flies solo this week, breaking down the rise of the super fan economy, the looming Phonorecords V rate wars, and a full playbook for protecting an independent artist's music, voice, and likeness from AI cloning.

Opening With The Super Fan Economy
Ramell Douglas opens this solo episode of The Music Hustle with his signature call to rebuild the system and welcomes listeners to BBS Radio TV. He dives into what he calls the rise of the super fan economy, explaining that smart independent creators use Facebook, Instagram, and TikTok only to pull traffic toward platforms they actually own, rather than relying on passive streaming income. Douglas warns that major platforms keep adding family-sharing tiers and price hikes that squeeze fans, forcing independent artists to raise their own prices in turn, which he calls a hard rock and a hard place. He argues that building a following entirely on borrowed platforms really just builds those platforms, since artists see only pennies on the dollar and lose direct access to fans the moment engagement is needed most. For Douglas, true ownership means directing traffic home.

Tiered Subscriptions And Brand Meaning
With streaming now flooding platforms with more than 150,000 new tracks a day, Douglas tells listeners that raw stream counts alone can no longer sustain an independent career. He walks through how artists and labels are shifting toward value engagement, building tiered subscription communities, Patreon-style models, VIP experiences, and direct-to-fan merchandise instead of chasing plays. He describes keeping exclusive, non-public content for paying tiers and spending a full year focused on VIP supporters rather than mainstream releases, calling the practice de-risking via owned channels, a way to bypass constant algorithm changes. He connects this to subscription fatigue among listeners worn down by repeated price hikes, arguing that oversaturation makes generic self-marketing look like a scam. The fix, he says, is meaning behind the brand, pointing to Family 1st Music Group's own family-first identity as proof that a real message, not just talent, is what makes fans invest.

Rate Wars And Alternative Financing
Douglas turns to the business machinery behind the music, flagging the 2028 through 2032 rate wars as Spotify, Apple, Amazon, and Google file rate proposals ahead of the next Phonorecords V proceedings that will decide what streaming services pay songwriters and publishers. He urges listeners to research the proceedings themselves and call in with questions so the show can dig deeper together. Douglas also describes an admin tax draining independent creators' time as they juggle fragmented file-sharing tools, distribution portals, messaging apps, and analytics dashboards, predicting a push toward unified workflow management. He notes that specialized financing platforms such as Pipeline, backed by major investment firms, are changing how independent companies fund catalogs, marketing rollouts, and infrastructure, reshaping how creators get paid. Throughout, he promises to keep tracking these shifts for The Music Hustle audience so independent artists are not caught off guard by changing rules.

Shielding Your Music And Voice From AI
Douglas shifts into a detailed breakdown of protecting creative identity from generative AI, starting with federal copyright registration covering both the Performing Arts share for lyrics and composition and the Sound Recording share for the master, stressing that registering within three months of release preserves the right to statutory damages. He explains opting out of metadata tagging to limit what AI web crawlers can scrape, and introduces audio watermarking and poisoning tools like Glaze and Nightshade that alter files at the wave level to block AI training without affecting human listeners. Embedding ISRC and ISWC codes, he says, lets automated systems catch unauthorized sampling or voice cloning. Because voice and likeness fall outside copyright, Douglas points to Tennessee's ELVIS Act and state right-of-publicity laws, plus trademarking an artist's name and logo with the USPTO, and insists every distribution contract must now carry explicit anti-AI clauses barring machine-learning use of masters, composition, voice, or likeness.

A Hundred-Dollar Spotlight And Shout-Outs
Douglas thanks the BBS Radio TV network before announcing a new promotion for The Music Hustle: every week for the next several weeks, his A&R team will review submitted songs and award $100 to the track hitting hardest, while also playing the winning artist across BBS Radio TV and Family 1st Music Group's marketing channels. He directs artists to The Music Hustle Facebook group and the F1MG Updates Instagram channel for submission links, and mentions posting free VIP content there for now, with an exclusive marketing push coming next week that he keeps deliberately vague. Douglas also reveals he has been meeting with art centers in New York to open more doors for the community. He closes the segment with shout-outs to supporters in Africa, Buffalo, Seattle, North Carolina, Miami, Los Angeles, and Chicago, thanking everyone tuning in across Instagram, TikTok, and Facebook for keeping The Music Hustle's momentum going.

EPKs, Networking, And Pushing Why
Douglas circles back to a topic from the prior week, the electronic press kit, explaining that any artist submitting music to a radio station, A&R, or producer needs a professional EPK containing a bio, song details, analytics, and platform history, since an unlabeled MP3 sent cold rarely gets heard. He says he keeps separate EPKs for himself as an artist, for his record label, and for The Music Hustle itself, and offers to build one live on air with a future guest so listeners can learn the process alongside him. Douglas stresses that networking only pays off when it aligns with an artist's brand, and he invites performers seeking tour slots to reach out, noting his promoter contacts are connected to major acts. He closes by urging listeners to stream his single Why, calling it a song that is touching the world right now, before the station announcer signs him off as Ramell Douglas, live on BBS Radio TV.

Sons of Liberty Radio with Bradlee Dean

We Do Not Have a Monarchical System of Government: The Magna Carta, 1 Samuel 8, and America's Christian Founding

Bradlee Dean devotes a solo Sons of Liberty Radio broadcast to the idea that America is a self-governing republic under God rather than a monarchy, tracing that argument from the Mayflower Compact and Magna Carta to 1 Samuel 8's warning against kings.

Sons Of Liberty History And The Show's Opening Thesis
Bradlee Dean opens the broadcast with a prepared history of the original Sons of Liberty, describing the Liberty Tree in Boston, the Liberty Pole in New York, and the campaign against the Stamp Act that drove tax collectors to resign. He retells the Boston Tea Party through John Adams's own words praising its order and "sublimity," stressing that no private property was touched and that only East India Company tea went into the harbor. After the show's theme and station identification, Dean greets listeners directly and states his core argument for the hour: Americans wrongly imagine the United States as a monarchy. He reads Romans 12:21 and 1 Peter 2:14 on government's purpose to punish evildoers, then points to the Constitution's opening words, "We the People," arguing the people are the government. He quotes John F. Kennedy on rights coming from God, not the state, and Abraham Lincoln on overthrowing corrupt men rather than the Constitution itself.

The Mayflower Compact As America's First Charter
Dean tells listeners he was taping television the day before with a host named Perry Atkinson and found himself explaining that young people today do not know where the nation came from. He uses that as a bridge into a lengthy reading of the 1620 Mayflower Compact, word for word, noting its signers covenant together for the "advancement of the Christian faith" and consent to "just and equal laws." He calls the document, found today in a Plymouth Rock replica, the real seedbed of the Declaration of Independence, three-quarters of which he says simply listed grievances the colonists were throwing off. He repeats his opening theme, resistance to tyranny as obedience to God, and gives out the show's call-in number, inviting any listener who disagrees to test their case on air. He closes the segment reminding new listeners that Sons of Liberty Radio is built around thinking for oneself rather than making others the measure of one's conduct.

Church And State, An Atheist Caller, And Revisionist Pulpits
After a station identification and a listener-support appeal, a female announcer invites those without a home church to join Dean's Sunday service, and Caleb Collyer, host of Church and State, introduces himself and calls Dean one of the great theologians and patriots of the era. Back on air, Dean jokes about a studio clock being replaced, then recalls a radio exchange years earlier with an atheist caller who agreed that lying, stealing, coveting, and murder are against the law yet could not say who established that law, a story Dean uses to argue America's legal conscience is inescapably Christian. He accuses many American pulpits, not a scattered few, of revising that history by denying the nation's Christian founding. He then recalls visiting the Library of Congress and seeing the Magna Carta parchment on display, and a later invitation to explain the document during one of dozens of trips to Michigan, setting up the hour's deeper dive into the charter's origins.

The Magna Carta And Its Biblical Roots
Dean walks through the Magna Carta's 1215 signing at Runnymede, where forty rebellious barons forced King John, propped up by the pope and the archbishop, to stop ruling arbitrarily and taxing without consent. He summarizes the feudal system of land granted by the king to barons and rented to peasants, and lists rights the charter recorded: no taxation without common council, fines proportioned to the offense, no seizure of property without consent, required witnesses for indictment, and no punishment without due process. Dean argues the document only wrote down rights that already existed under God rather than granting anything new. He reads at length from a 1965 Harvard Journal on Legislation article by scholar Helen Silving, which argues the Magna Carta subjects the king to God and the law rather than to Greek or Roman philosophy, and credits that biblical foundation, not classical thought, with shaping the colonists who later embedded Magna Carta rights into American state constitutions and the Bill of Rights.

1 Samuel 8, Israel's King, And America's Modern Idols
Following quotations on grace from R. W. Barbour and Adam Clarke's catechism, Dean turns to 1 Samuel 8, reading how Israel's elders demanded a king "like all nations" and how the Lord told Samuel the people had not rejected Samuel but rejected God's own reign. He walks through Samuel's warning of what such a king would do, taking sons for his armies and chariots, daughters for his kitchens, and the people's fields, flocks, and harvests through taxation, and Israel's insistence anyway that they wanted a king to fight their battles. Dean applies the passage directly to the present, arguing Americans have made idols of politicians, and contrasts the modern president's dozens of protective vehicles with Harry Truman walking the streets shaking hands. He cites Article VI's Supremacy Clause and Article II's oath to faithfully execute the laws, arguing today's officials betray that oath, and calls the result not America's constitutional system but a self-inflicted monarchy.

Biblical Versus Pagan Government And A Closing Meditation
Dean connects the Declaration of Independence's four references to the Creator with the Statue of Liberty's broken chain and Declaration tablet, a Woodrow Wilson quotation calling America a Christian nation, and the fact that twenty-five of the fifty-six signers held seminary degrees. He cites a Minnesota Supreme Court mural of Moses and an exiting hallway quotation from John Locke, "where God's law ends, tyranny begins," alongside the Liberty Bell's call to "proclaim liberty," and argues officials who swear an oath on the Bible and then aid foreign interests commit treason under Article III. He contrasts a biblical view of limited, God-ordained government, which he says produces patriotism, with a pagan view of unlimited state authority rooted in evolution, which produces state worship and tyranny, blaming mainstream and entertainment media for pushing the latter. Dean closes meditating on God's total sovereignty over nature, nations, and even Satan, calling it an anchor for the soul, before signing off and directing listeners to the ministry's websites for orders and bookings.

Junk Refund Show with Alan Cook

A Day in Bed, a Grafton Ohio Garage, and a Laptop for a Pen Pal in Brazil

Alan Cook broadcasts the entire show lying in bed in Rockville, Maryland, recounting a weekend haul to Grafton, Ohio, a tree that totaled his SUV, and a Craigslist-funded plan to buy a laptop for a friend in Brazil.

A Rare Day From Bed in Rockville
Alan Cook opens the Junk Refund Show explaining he is taping the entire episode lying down in his bed in Rockville, Maryland, something he says he has never done in four years on the air. He frames the choice around a theme of slowing down, prompted by a postponed 10 a.m. appointment that freed up his morning. Cook invites listeners to find him on Facebook under Alan J. Cook, pointing to his profile photo of himself ziplining across Colorado's Royal Gorge, nearly 1,100 feet above the Arkansas River, taken after a job in Denver. He describes adding names over the years to a running list he calls "the ten happiest people in the world," which started with himself, Oprah, and eight others and has since grown. He recommends listeners search YouTube for the Norwegian singer Sissel performing "Slow Down" with the Tabernacle Choir, calling it the emotional touchstone for the day's relaxed pace.

The Call From Grafton, Ohio
Cook explains the backstory behind slowing down: a call last Friday from a woman named Heidi in Grafton, Ohio, whose mother threatened to make her clear out stuff filling a three-car garage. He recalls the only other Grafton he knew was the ghost town in southern Utah used as a filming location for Butch Cassidy and the Sundance Kid, and jokes that the name caught his attention immediately. He quoted Heidi roughly $2,000 for the job sight unseen, and she paid a $1,000 deposit by credit card through the Square app on the spot, wanting the crew as soon as possible. Cook notes the drive from Washington, D.C. to the Cleveland area is about five and a half hours, shorter than he expected, so he decided to drive up Sunday afternoon in a rented box truck rather than fly. He adds that the day before Heidi's call, a dead tree fell on his SUV parked behind his office, totaling his favorite vehicle just months after he installed a $4,500 transmission.

Driving Up, Loading Out, Making It Pay
After church and a baptismal service Sunday, Cook drives his 16-foot Enterprise box truck to Ohio, filling it with diesel using the Upside cash-back app along the way. He checks into a Days Inn in the Cleveland area for just 5,000 Wyndham points, the lowest rate he says he has ever found, using his Diamond-tier status in the chain. The next morning he finds Heidi has already condensed her belongings into organized piles, so the actual job runs smaller than quoted, roughly $1,500 worth of mattresses, box springs, church tables, and about forty boxes and bags of miscellaneous items. He loads the truck in about an hour, finishing by 10:15 a.m., and Heidi adds $400 cash on top of her deposit, meaning he nets $1,400 for an hour of work. Cook drives the load back to Maryland that day, reflecting on how jobs like this one have taken his company from Seattle to San Diego and from Maine to Florida over the years.

Technology, Ankles, and a New Promotion
Back home and still lying in bed, Cook details the free Upside app, which has paid him more than $1,200 in cash back on gas purchases over roughly two and a half years, comparing its steady growth to Warren Buffett's preference for holding investments forever. He recounts a scrap-yard accident about six weeks earlier, rolling his left ankle on uneven pavement and falling into a pile of scrap metal, and a lingering Achilles strain since the Ohio trip that comes and goes as he walks on it. Turning to marketing, Cook describes building an email list of roughly 800 clients in Mailchimp and spending the morning crafting a promotion called "Save a Benjamin," offering $229 worth of junk removal for $125 through his own Speed Pass program, cheaper than retail but keeping more money than selling through Groupon. He also boosts the same offer on the show's Facebook page for $5 a day, targeting the Washington, D.C. metropolitan area.

A Laptop for Karina and More Jobs Close
Cook shares the story of Karina, a woman turning forty in São Paulo, Brazil, whom he met on a dating site and has corresponded with daily through WhatsApp and Google Translate for three months despite speaking no Portuguese. Wanting to help her buy a laptop for her work with children, he places a $5 Craigslist ad in three D.C.-area locations offering five pickup-truck loads of junk removal at $100 instead of $229, with proceeds earmarked for the laptop. The same morning, a weekly Groupon payment of $130 lands in his account, and a returning Accokeek, Maryland customer back from Bermuda books a truckload with a stacked discount down to $550. He also recounts hauling scrap metal for free from a gas station contact in Annapolis and a related pickup of barrels and metal slabs from a business in Lanham, Maryland, both generated through an AI-built mailing list, plus a quiet 9:30 p.m. job in Fairfax, Virginia the night before.

Shout-Outs and Signing Off
Cook wraps the show with a few closing notes, recommending listeners look up mentalist Oz Pearlman, author of the book "Read Your Mind," whose performances for sports teams and at the White House Correspondents' Dinner leave him baffled despite Pearlman's insistence that he reads people rather than minds. He describes a self-imposed project to shrink his overflowing email inbox by one hundred messages a day using a simple spreadsheet rather than AI tools. He thanks Matt Damon, a recurring supporter of the show, and offers his usual joking apology to Jimmy Kimmel for not getting him on as a guest. Totaling up the day's earnings from Groupon, the Bermuda customer, and other calls, Cook estimates he has brought in around $700 without leaving his bed, and muses that he might put off actual junk removal work until the following day. He signs off reminding listeners the show airs Thursdays at 3 p.m. Eastern on BBS Radio.

Hollywood and Horsepower Show with Mark Otto

The Improv Roots of Saturday Night Live: Second City, The Groundlings, and Fifty Years of Lorne Michaels

Mark Otto flies solo this week, tracing the lesser-known paths performers took to Saturday Night Live through Chicago's Second City, its Toronto outpost, and Los Angeles's Groundlings, while reflecting on Lorne Michaels's fifty-year run as the show's executive producer.

Sponsors And A Solo Show
Mark Otto opens Hollywood and Horsepower with his usual roll call of sponsors, thanking Tony's Steaks and Seafood, bluenile.com, Cutler Nutrition, and a promotional-products company he refers to as Gogaffi.com, while reminding listeners the show also supports No Fallen Heroes and Old Friends Equine. He tells the audience he has no guest today, choosing instead to walk through the history of Second City and The Groundlings and the broader road that leads performers to Saturday Night Live, a show he admits is one of his personal favorites. Otto frames the episode as an attempt to show listeners what actually goes into careers that look effortless from the outside, promising a look at paths beyond straight stand-up. He sets up the hour as a tribute to the training grounds that quietly built modern American comedy, before diving into the show's own origin story.

Lorne Michaels Launches A Risk
Otto recounts how Saturday Night began in October 1975, developed by Lorne Michaels alongside Dick Ebersol and other NBC executives, with Michaels securing an unusual seven-episode commitment from the network before the show ever aired. He credits Michaels with the instinct to let the cast itself become the center of the show, a structural choice Otto believes shaped everything that followed. The premiere, hosted by George Carlin, stumbled through friction and sketches that did not land, and Otto notes the show did not truly find its footing until three or four episodes in. He adds that the show's early run drew plenty of skeptics, including some NBC executives themselves, and wonders aloud whether a single pilot episode, rather than a guaranteed run, would have let the show survive its shaky start, calling Michaels the longest-serving executive producer he can think of in television history.

Why Every Cast Gets Called The Best
Otto turns to how fans talk about Saturday Night Live's different eras, noting that whenever someone insists the original cast or the Farley-and-Spade years were the best, he can almost always guess they graduated high school around that same time. He argues every cast has actually been strong, and that nostalgia, not quality, usually drives the ranking, since most viewers were most captivated during high school or early college before life got busier. He reminds listeners the show existed in a pre-internet world: missing a sketch on Saturday night meant waiting up to six months for a rerun, with no clips, no streaming, and in places like the United Kingdom, often no broadcast at all. That scarcity, Otto says, is exactly how the show built its reputation, spreading through word of mouth even as critics dismissed it early on with headlines calling it Saturday Night Dead and predicting its best days were already behind it.

Second City And The Groundlings Feed The Show
Otto walks through the improv theaters that quietly stocked Saturday Night Live with talent, starting with Second City, founded in Chicago's Old Town in December 1959 by Paul Sills, Bernie Sahlins, and Howard Alk out of the earlier Compass Players. He describes working in Chicago early in his career and witnessing firsthand how many then-unknown performers passed through its stage before turning up on television a year or two later. Second City expanded into Toronto around 1973, producing John Candy, Eugene Levy, and Catherine O'Hara, while Chicago kept feeding the show names like Bill Murray, John Belushi, Gilda Radner, Harold Ramis, Tina Fey, Amy Poehler, Stephen Colbert, and Steve Carell. Otto then turns to The Groundlings, founded in Los Angeles in 1974 by Gary Austin, crediting it with launching Phil Hartman, Mike Myers, Melissa McCarthy, Will Ferrell, Kristen Wiig, and Lisa Kudrow, and stressing that most of these performers came up through improvisation and sketch work rather than traditional stand-up comedy.

Writers, Timing, And Near Misses
Otto explains that many SNL legends actually started as writers rather than cast members, naming Conan O'Brien, David Spade, and Jimmy Fallon among those who worked the writers' room under figures like head writer Jim Downey, Robert Smigel, and Jack Handey before ever appearing on camera. He also addresses performers who never made the cast, noting Jim Carrey auditioned but arrived when the roster was already a murderer's row, and Ben Stiller chose to pursue other projects rather than wait for playing time. Otto describes how David Spade sat behind Dana Carvey for years before Chris Farley joined and their on-screen chemistry finally gave Spade his opening, arguing talent alone rarely decides who breaks through. He closes with portraits of John Goodman, called one of the best cold readers anyone has seen, and Phil Hartman, remembered as meticulously organized, keeping notebooks and labeled materials for every sketch while calmly reading unrelated manuals backstage during moments of panic.

Modern Challenges And What's Next
Otto argues today's cast and writers actually face a harder job than their 1975 predecessors, since Saturday Night Live now competes with YouTube channels, podcasts, and endless streaming options instead of the three or four television channels available when the show began. He singles out Kenan Thompson for staying sharp year after year despite that crowded field, calling the show's continued growth under Lorne Michaels, who has adapted it through technology shifts and a pandemic shutdown, a genuine testament to both the host and the cast. Otto closes by repeating the sponsors, including Tony's Steak and Seafood, bluenile.com, Cutler Nutrition, the promotional-products company, and The Palm Miami, alongside the charities Old Friends Equine, No Fallen Heroes, and Top Gun Options, before previewing next week's episode, when NASCAR driver Mike Skinner joins the show to discuss his racing career, shifting the series back toward the horsepower side of Hollywood and Horsepower.

Tony Alamo

Ep284 How to have God's life living in you Part 182

Teaching on the Holy Spirit's Indwelling, Three States' Testimonials, and Blasting the Vatican Over Hitler

World Pastor Tony Alamo marks program 284 of How to Have God's Life Living in You with teaching on the Holy Spirit's indwelling presence, listener testimonials read by co-host Sharon from New York, Chicago, and Connecticut, and a sermon tying the Vatican to Hitler and the approaching end of time.

Program 284 Opens With Prayer And A Paxton Song
Tony Alamo opens program 284, part 182 of his series How to Have God's Life Living in You, telling listeners that co-host Sharon will explain four free ways to request a CD or cassette tape of today's message, postage and handling included. He previews testimonials, music, and a Bible reading ahead in the hour. Alamo leads the congregation in an opening prayer asking the Lord to anoint the service, confessing that nothing good can be done without the Holy Spirit, and praying for souls in radioland and for lukewarm churches to learn to rightly divide God's word without private interpretation. The congregation answers with a spoken amen. Alamo then introduces a song, Let Him Be All You Need for Tomorrow, written and arranged by Gary Paxton, whom he calls a genius at writing and directing, and performs it himself as his own recorded vocal plays for the listening audience.

Teaching On The Holy Spirit's Divine Reality
After the song, Alamo teaches at length on what he calls the divine reality of the Holy Spirit dwelling within believers, insisting that Christians must firmly believe rather than merely imagine that the Spirit of God's Son lives in them. He argues this conviction must be considered constantly throughout the day so the Lord can be kept close, and quotes Romans 8:16 that the Spirit himself bears witness with our spirit. Alamo tells the congregation that thanksgiving draws the heart toward God and lightens the burden of prayer, citing Christ's promise that his yoke is easy and his burden light. He stresses that prayer connects believers to the revealed Christ and to the certainty of being heard, asking repeatedly whether the congregation feels the Spirit in their hearts. The congregation responds with scattered amens and a yes throughout the teaching, which closes as Alamo turns to read the first of several listener testimonials that Sharon has brought to the program.

New York And Chicago Testimonials Read Aloud
Sharon reads the first testimonial, a call from a woman named Emma in New York City who thanks Alamo for literature called Difficult Mountains, calls it the true doctrine of Jesus, and reports distributing it on 42nd Street, where one man recognized the pamphlet and ran back to get a copy. Alamo responds by telling listeners not to focus on him but on Jesus, reminding them that if they firmly believe the Holy Spirit lives in them they need Tony Alamo only to hear his messages. Sharon then reads a response from Joseph Arrington of Chicago, who saw a full-page ad for Difficult Mountains in the December 3rd Chicago Tribune and learned from Alamo's staff that the ministry's roots trace back to the Jesus movement. Alamo confirms the church began in Hollywood before moving through West Hollywood and finally settling in the Saugus and Canyon Country area of California, describing the evening and Sunday services and the meals served afterward, and embraces the old label of Jesus freak with evident pride.

A Tithing Appeal And Africa Water Ministry
Returning to Arrington's letter, Alamo notes the man has requested The Messiah book, recorded messages, and a literature list, impressed that the ministry charges nothing for gospel materials. Alamo insists listeners who withhold tithes are robbing God of souls under the book of Malachi, explaining that newspaper and radio advertising, once costing nearly a quarter million dollars in a single day, has reached more than thirty million people. He urges anyone with finances to partner with the ministry so the gospel can keep reaching homes worldwide, warning that neglecting the needy carries eternal consequences. Alamo describes decades of near poverty before donations allowed him to buy newspaper space, radio time, and ten years of television broadcasts, and he recounts sending money to prisoners for commissary items and shoes. He also describes a mission in Africa where more than fifty thousand people received food, clothing, and a water tank after missionaries found them boiling food in sewer water, and holding Bible classes while praying for help.

A Connecticut Letter And Vatican Conspiracy Claims
Sharon reads a letter from Putnam, Connecticut, whose writer says a $200 money order brought him to tears amid out-of-control inflation, and who describes bringing his helper Susan and his disabled friend Mike to a prophecy seminar and studying the Roman Catholic Church's history since the 1960s. The writer mentions receiving an old book, History of the Waldenses by J.A. Wylie, about Italians slaughtered for rejecting Catholic doctrine before Martin Luther's break from Rome. Alamo calls Luther an anti-Semite who could not truly love a Jewish God, and says the Lord appeared to him in a vision with olive-colored, Jewish skin. He builds an extended argument that the Vatican, which he calls Satan's seat in Rome, used Hitler as a military enforcement arm because Hitler cursed the Jews, and claims the Vatican likewise used President Clinton to bomb and take over fifty countries while painting true Christian churches as cults through a hostile news media.

End Times Warning And A Closing Salvation Prayer
Sharon continues reading from the Connecticut writer, who reports that his sister Agnes died of a brain tumor in 1976 at age forty-two and that her half-Jewish children, now college-educated, resist his warnings about Christ's imminent second coming. Alamo tells listeners such relatives should be pointed to his literature so they can understand how short the time is before the Lord returns, quoting Christ's warning that if the days were not shortened no flesh could survive. With his program time nearly finished, Alamo leads the congregation in a spoken sinner's prayer confessing Jesus Christ as the Son of the living God and asking forgiveness through his shed blood, then tells listeners to raise their hands and thank the Lord for salvation. Noting that Sharon has a cold, Alamo has her give the request information for program 284 anyway: the website, the Texarkana, Texas post office box, and phone and fax numbers, before closing with his recording of Where Man's Love Stops.