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Ask The Angel With Rachel Corpus with Rachel Corpus

Ghosts, Grief, and the Angelic Tools That Help Us Listen
Rachel Corpus explores ghosts, spiritual imprints, house clearings, Lion’s Gate energy, runes, oracle cards, and caller readings, offering comfort around loss while encouraging listeners to trust intuition, set boundaries, and remember the spiritual guidance already within them.

Rachel Opens the Door to Ghosts and the Other Side

In this episode of Ask the Angel, Rachel Corpus welcomes listeners and begins with a question from Jerry in Carbondale, Illinois: if God loves everyone, why are there ghosts? Rachel answers through her own spiritual understanding, explaining that what people call ghosts are often not the full consciousness of a person, but an imprint, memory, or vibrational “movie” left behind after death. The transcript identifies Rachel Corpus as host and notes that spiritual, paranormal, afterlife, mediumship, and personal-loss statements are preserved as speaker statements rather than verified factual claims.

Ghosts as Imprints, Stories, and Repeating Memories

Rachel explains that, in her view, a person’s core consciousness goes to the next dimension, whether someone understands that as heaven, the afterlife, the quantum realm, or another spiritual plane. What remains here may be a time stamp, memory stamp, story, or energetic loop that people experience as a ghost. She distinguishes between residual hauntings that simply repeat and more intelligent hauntings that overlap with the living. Rachel also says some spirits may remain connected to homes, loved ones, unfinished learning, or familiar places, while others are not harmful and do not need intervention.

A House Clearing With Archangels Michael and Uriel

Rachel then tells a detailed story about helping a client whose older home appeared to carry an intense spiritual imprint connected to a violent past event near a shared well. She describes how the client’s physical symptoms seemed to mirror the violence connected to that imprint, and how Rachel asked Spirit for guidance. The protocol she describes includes creating a spiritual barrier around the home, calling on Archangel Michael for safety and Archangel Uriel to help the spirit cross over, using whiskey on a mirror as a portal, clearing the house afterward, placing water under the bed to reroute the energy of the well, and setting spoken boundaries around the home.

Amber’s Reading and a Message From Theseus

The first caller, Amber, asks about her son Theseus, who was “born sleeping,” as the anniversary of his passing approaches. Rachel tells Amber that Theseus is connected with her other children, especially Atticus, and describes him as wanting to be big, playful, and close to his brother’s energy. Rachel says Amber can know Theseus through Atticus, suggesting that Theseus looks through Atticus’s eyes and that the family’s spiritual blueprint is built more around time together than material things. The reading is tender and focused on helping Amber feel connection, recognition, and comfort around a child she did not get to know in life.

Lion’s Gate, Spiritual Receiving, and Divination Tools

Rachel then answers a listener question about the Lion’s Gate portal, which she describes as a period around August 8th connected to increased opening of the crown chakra, third eye, and psychic growth. She encourages listeners to ask their guides and angels to direct them toward the right information instead of getting lost in spiritual noise. Rachel says this year’s Lion’s Gate is connected to people becoming stronger receivers, with the body, cells, emotions, and energy field opening to more light and information. She then introduces runes, oracle cards, dowsing rods, trinkets, angel numbers, and other divination tools as spiritual “telephones,” while reminding listeners that they do not need anything outside themselves to connect.

Nikki, Misty, and Messages From Loved Ones

Caller Nikki asks whether someone she recently lost is okay and whether he has been trying to communicate. Rachel tells her that he is learning how to visit, move things, flicker lights, leave signs, and communicate through dreams, and reassures Nikki that it is really him and that he is okay. Later, Misty calls after finding Rachel through the Jeff Mara podcast and asks for a message from her brother Quentin. Rachel describes Quentin as joking, angelic, and communicating through beeps, sounds, and stopped devices, then answers Misty’s emotional question about whether Quentin’s passing was accidental or intentional, saying it was an accident while acknowledging the complexity of his state of mind.

Kathy’s Yard Spirit and the Week’s Closing Blessing

The final caller, Kathy, asks about a spirit in her yard who calls herself Evelyn and appears through a strong perfume scent. Rachel says Kathy is highly intuitive and, because the presence does not feel negative or enter the house, she does not see danger. She suggests that the spirit may be connected to Kathy’s own boundary system, reminding her to check whether living-world boundaries also need attention. Rachel closes by pulling cards for the audience, emphasizing the message to trust intuition, reminding listeners that they already have what they need inside themselves, promoting her Facebook, Instagram, email, custom runes, and upcoming Angel Talk podcast season, and signing off with love.

Prophecy In The Spotlight with Daniel Goodwin and Dr. Charles Hiltibidal

Government UFOs, Secret Aircraft, and the Great End-Time Distraction
Brother Daniel Goodwin and Dr. Charles Hiltibidal examine UFO claims through the lens of secret military aviation, Roswell, Area 51, Cold War aircraft development, Hollywood influence, and Bible prophecy, arguing that many UFO narratives function as a government smokescreen and a spiritual distraction from Scripture.

Government UFOs and the Flying-Wing Mystery

In this episode of Prophecy in the Spotlight, Brother Daniel Goodwin introduces the topic as “government UFOs,” focusing on aircraft and secret technologies that may have appeared otherworldly to people who saw them before they understood what they were. He begins with a German World War II flying-wing aircraft, explaining that if someone in the 1940s had seen such a jet streak across the sky, they likely would have called it a UFO. The corrected transcript identifies Brother Daniel Goodwin as host, Dr. Charles Hiltibidal as co-host, and notes that the discussion’s order, theological framing, episode substance, and host claims were preserved.

German Engineering, World War II, and the Roots of Misidentification

Brother Goodwin and Dr. Hiltibidal discuss how advanced German engineering near the end of World War II could have changed the outcome of the war if certain aircraft technologies had reached mass production. They reflect on jet engines, flying-wing design, military experimentation, and the possibility that unfamiliar aircraft would have seemed impossible to ordinary observers at the time. This becomes their first major point: what many people interpret as extraterrestrial may instead be human engineering far beyond what the public knows or expects.

UFO Language, Hollywood, and Science-Fiction Prophecy

The hosts then trace how the language of UFOs developed after 1947, with Brother Goodwin explaining that the term “flying saucer” grew out of misinterpretation surrounding early sightings and newspaper reporting. He argues that Hollywood and science-fiction storytelling amplified that misunderstanding, turning unidentified aircraft into imagined visitors from outer space. From there, the discussion becomes theological, as Brother Goodwin criticizes prophecy teachers who, in his view, try to force science-fiction material into Bible prophecy instead of allowing Scripture to remain the superior text.

Roswell, Project Mogul, and the Cold War Smokescreen

Brother Goodwin and Dr. Hiltibidal revisit Roswell, Kenneth Arnold, mysterious wreckage, reports of flying saucers, weather-balloon explanations, dummy drops, and later references to Project Mogul. They present Roswell not as proof of alien life, but as an early Cold War episode involving military secrecy, experimental programs, and public confusion. The hosts repeatedly emphasize that they do not claim to know every detail, but they argue that secrecy around military projects helped fuel a public UFO mythology that government agencies could use as a convenient cover.

Area 51, U-2 Flights, and Secret Military Research

The conversation then moves to Area 51, which the hosts describe as a remote, secure site selected during the Cold War for secret testing by the CIA, Air Force, and Lockheed’s Skunk Works. Brother Goodwin discusses Project Aquatone, Kelly Johnson, and the U-2 Dragon Lady spy plane, emphasizing that early U-2 flights from the site contributed to widespread UFO sightings in the 1950s. He argues that many sightings involving actual mechanical objects in the sky were likely secret aircraft, advanced aviation programs, or experimental military technology rather than extraterrestrial craft.

Stealth Aircraft, Human Ingenuity, and the Days of Noah

Brother Goodwin and Dr. Hiltibidal expand the point through later aircraft, including the A-12 Oxcart, SR-71 Blackbird, stealth development, titanium construction, radar evasion, and high-speed aviation. They reject the idea that such technology came from alien research, arguing instead that God gave human beings minds capable of physics, mathematics, engineering, and innovation. Brother Goodwin connects this to the “days of Noah,” saying the biblical warning is not about returning aliens or fallen angels marrying women, but about human imagination, evil, and technology reaching dangerous levels while people live without regard for God.

UFO Deception, Ministry Resources, and the Rapture

In the closing section, the hosts return to the spiritual meaning of the topic. Brother Goodwin says government encouragement of UFO stories became a cover or “smokescreen” for secret research and may still distract people today. He promotes his books UFOs: Truth or Fable and The Great End-Time Distraction, urging listeners to keep science fiction in its proper place and Scripture at the center. The episode closes with ministry-support appeals, missionary-radio outreach, a gospel invitation, and Brother Goodwin’s statement that he believes UFOs will be blamed for the rapture as part of a final end-time deception.

Chuck And Julie Show with Chuck Bonniwell and Julie Hayden

Media Trust, Colorado’s Political Crossroads, COVID Accountability, and the Politics of Trust
Chuck Bonniwell and Julie Hayden examine newly discussed Fauci records, RFK Jr.’s exchange with Dana Bash, media and pharmaceutical influence, COVID-response accountability, listener concerns, Colorado politics, election integrity, jungle primaries, and the growing cultural debate around Caitlin Clark and the WNBA.

RFK Jr. destroys CNN “parrot” Dana Bash over the media’s shameful role in the COVID Scam.

Chuck and Julie Open With “Truth Straight Up”

In this episode of The Chuck and Julie Show, Chuck Bonniwell and Julie Hayden open with their trademark “truth straight up” format and immediately focus on newly discussed records connected to Dr. Anthony Fauci. The corrected transcript identifies Chuck and Julie as hosts, Jacob and Johnnie as listener participants, and notes that political, medical, legal, and election-related statements are preserved as speaker statements rather than independently verified claims.

Fauci Records, RFK Jr., and the Dana Bash Interview

Julie and Chuck argue that the records show Fauci knew more than he publicly acknowledged about COVID mortality, vaccines, masks, lockdowns, social distancing, and transmission. They discuss RFK Jr.’s CNN interview with Dana Bash, describing it as a moment where RFK Jr. challenged the media’s COVID-era assumptions and accused the press of failing its duty of skepticism. The hosts frame Dana Bash as unprepared for RFK Jr.’s depth of knowledge and argue that the interview exposed broader media failures around COVID coverage, public-health messaging, censorship, and pharmaceutical influence.

Media Narratives, Pharmaceutical Advertising, and COVID Skepticism

The hosts continue by criticizing how legacy media handled COVID dissent, saying that stories were first ignored, then attacked as “misinformation” when they gained traction. They discuss Denver’s Channel 7/ABC coverage, pharmaceutical advertising, hydroxychloroquine, vaccine messaging, and what they see as shifting public confidence in new shots. Julie shares a personal example from a school physical where her family declined several shots and the doctor said the office no longer carried the COVID shot. Chuck then suggests that pharmaceutical advertising may function less as direct product marketing and more as a way to influence networks and protect preferred narratives.

Listener Participation: Jacob and Johnnie Join the Conversation

After Julie leaves to pick up Rev, Chuck opens the program more fully to listeners. Jacob joins the discussion with his own concerns about COVID shots, pharmaceutical advertising, and vaccine mandates, including a reference to a Blue Cross Blue Shield of Michigan case involving employees and settlements. Johnnie shares a personal story about medication he says contributed to his blindness and connects that experience to distrust of medical authority and government messaging. Chuck responds by recalling public encounters involving Fauci, Washington, D.C. Mayor Muriel Bowser, and skeptical citizens who challenged official vaccine narratives.

Blackmail, Human Nature, and Political Distrust

Johnnie asks whether powerful people may be pressured by embarrassing information or blackmail, prompting Chuck to discuss the idea that Washington operates through mutual leverage and hidden knowledge. Chuck connects this to declining public trust in government, media, and political institutions. The conversation broadens into a darker reflection on human nature, corruption, and the way people create political myths about their own side being pure. Chuck argues that both parties have serious problems, though he focuses especially on what he sees as the Democratic Party’s weak bench and dependence on anti-Trump messaging rather than an attractive political vision.

Colorado Politics, Republican Turnout, and Jungle Primaries

Jacob then asks about Republican complicity, campaign volunteers, and voter follow-through. Chuck responds by describing Republicans as less reliable in lower-turnout races, while Democrats tend to bank votes early through mail ballots. The conversation shifts into Colorado politics, including jungle primaries, wealthy interests, county-party participation, Victor Marx, Greg Lopez, Kyle Clark, the governor’s race, and Mark Beasley’s low name recognition as a Republican U.S. Senate candidate. Chuck argues that jungle primaries sound inclusive but would reduce real grassroots participation by allowing wealthy interests to shape the candidate field.

Election Integrity, the WNBA, and Closing Caller Roundtable

Near the end of the episode, Chuck says a strong election-integrity law such as the SAVE Act, with voter-eligibility requirements and paper-ballot safeguards, could change Colorado’s political landscape. The show then takes a cultural turn into the WNBA, Sophie Cunningham, Caitlin Clark, and the way fan attention and league politics have made the sport more revealing and more interesting. Chuck thanks Jacob and Johnnie for joining, says the caller-driven format was fun, and closes by inviting a similar open-listener conversation in the future before signing off until Wednesday.

Bringing The Darkness To The Light with Catherine Nadal

Season of Surrender: Metalcore, Meaning, and the Courage to Keep Going
Catherine Nadal welcomes Jake Luhrs of August Burns Red for a conversation about the band’s origins, the emotional power of metalcore, vocal technique, perseverance, songwriting, Grammy recognition, and the deeper themes behind Season of Surrender.

Guest Spotlight: Jake Luhrs

Jake Luhrs is the vocalist for the popular American metalcore band August Burns Red, joining the group in 2006 after driving from South Carolina to Pennsylvania for the opportunity and eventually earning his place through persistence, touring, and the endorsement of Tommy Rogers of Between the Buried and Me. In this conversation, Jake comes across as thoughtful, humble, and deeply intentional about his craft, speaking not only about screaming, songwriting, and the making of Season of Surrender, but also about resilience, self-worth, surrendering old patterns, and using music as a powerful way to help people move through pain.

Catherine Nadal Welcomes Jake Luhrs of August Burns Red

In this episode of Bringing the Darkness to the Light, Catherine Nadal welcomes Jake Luhrs, vocalist for the American metalcore band August Burns Red. Catherine opens by noting the band’s popularity and Lancaster, Pennsylvania roots, while Jake explains that the group began in 2003, was first signed to CI Records, and that he joined in 2006. The corrected transcript identifies Catherine Nadal as the host, Jake Luhrs as vocalist for August Burns Red, and notes that song-performance sections were summarized with stage notes rather than reproduced as full lyrics.

Joining the Band and Building a Shared Creative Process

Jake describes how August Burns Red formed out of the early-2000s American metalcore scene, with several members knowing each other from high school and drawing inspiration from heavier, emotionally intense bands. He recalls auditioning after the original vocalist left, driving from South Carolina to Pennsylvania in his 1989 Honda Civic, touring for months, and gradually earning his place in the band. He also explains the group’s songwriting process, identifying JB and Dustin as major songwriters while emphasizing that the latest album, Season of Surrender, invited more collaboration from the full band, especially around song structure, lyrics, and vocal ideas.

Perseverance, Purpose, and the Willingness to Return

Catherine highlights Jake’s persistence in returning to the band even when his future there was uncertain. Jake responds that the process taught him how badly he wanted the opportunity and that obstacles are part of growth, maturity, and becoming prepared for the role one hopes to hold. He frames difficulty as a character-building season, saying that going home and refusing to return would have meant telling himself he was not worth it. His story becomes a broader lesson about purpose, resilience, and weathering the storms that shape a person before success arrives.

Screaming, Emotion, and Protecting the Voice

The conversation then turns to how Jake became a vocalist and why screaming appealed to him more than traditional singing. He traces that spark to seeing the band Strike Anywhere as a teenager and feeling deeply impacted by the singer’s passion, message, and personal kindness. Jake explains that screaming felt intimate, emotional, and rooted in desperation, despair, and lived struggle, but that it also required practice and technique. He discusses hydration, rest, hearing himself through monitors, relaxing the body, and eventually working with vocal coaches such as Melissa Cross and David Benites to protect and strengthen his voice.

Season of Surrender and the Choice to Go Deeper

Jake describes Season of Surrender as a modern take on American metalcore that remains connected to the genre’s early-2000s roots while becoming more technical, progressive, emotional, and story-driven. Rather than chasing trends or completely changing the band’s sound, he says August Burns Red turned inward, asking how they could deepen their identity and use the tools they already had with greater honesty and creativity. He emphasizes that the record required humility, criticism, teamwork, ego-checking, and the willingness to break and rebuild ideas until good parts became great.

Grammy Recognition, Ambition, and Redefining Success

Catherine brings up August Burns Red’s Grammy nominations for “Identity” and “Invisible Enemy,” and Jake confirms them while reflecting on how differently he sees those moments now. At the time, he says he did not fully feel or absorb the accomplishment because he was living a performance-based life, always trying to earn love, admiration, and approval. Looking back, he recognizes the nominations as significant, especially for a metalcore band. Jake then redefines success as the act of pursuing what one truly desires, explaining that making the record with his bandmates was already a success regardless of outside recognition.

Songs From Season of Surrender: “Behemoth,” “Allegiance,” “Forged by Failure,” and “Sonic Salvation”

Catherine and Jake close by discussing several songs from Season of Surrender. Jake describes “Behemoth” as aggressive and relentless, with lyrics about surrendering old habits, limiting beliefs, and the false self. He explains “Allegiance” as a dark, vicious song about narcissism, featuring Mike Hranica of The Devil Wears Prada. “Forged by Failure” is one of Jake’s personal favorites, exploring depression, despair, and the choice to turn pain into character, healing, and strength. Finally, “Sonic Salvation” is described as a live-performing song about music’s power to bring people together, encourage them through hardship, and create shared energy between the band and the crowd. The episode closes with Jake sharing August Burns Red’s social media, website, and upcoming tour plans before Catherine thanks him and plays the final song.

The Laughing Heart with Errol Strider

Never Too Late to Be in the Now
Errol Strider, through Barney and a lively cast of inner characters, explores appreciation, awareness, humor, fear, faith, free will, and the present moment, blending poetic observation with playful dialogue and reflective spiritual insight.

Barney Steps In and Opens Errol’s Mind

In this episode of The Laughing Heart, Barney steps in as the “kind-of host guy” because Errol Strider is not initially available, creating a playful frame in which the audience enters the crowded landscape of Errol’s mind. Barney jokes about Errol’s mental busyness, his worries about money and comparison, and his habit of revisiting the past. The corrected transcript notes that the episode preserves the opening character monologue, Errol’s deli poem, the character conversation, and the closing reflection on fear, faith, free will, and the present moment in sequence.

Diamond People in the Delicatessen

Barney then introduces a poetic piece Errol wrote in a San Francisco delicatessen in the 1970s. The poem transforms an ordinary deli into a living field of human connection, where customers, workers, food orders, tables, voices, and glances become part of a sparkling system of exchange. People are described as gems, diamonds, emeralds, rubies, and amethysts, each one beautiful and distinct. Through matzo ball soup, corned beef, knishes, tea, coffee, and conversation, Errol’s poem sees everyday human interaction as a kind of social chemistry, where thoughts couple, awareness expands, and “finding truth” becomes the sport.

Consciousness Practitioners and Shared Awareness

After the poem, Professor Ambridge appears and joins Barney in reflecting on people as “little exquisite bubbles with consciousness.” Their conversation turns toward awareness as something everyone has, but also something people must practice. Barney calls himself a “practicing consciousness practitioner,” and the Professor agrees that awareness depends on what people are practicing being conscious of. Rabbi Greenberg then enters the conversation and adds that some people avoid awareness because they are afraid of being found or exposed. Together, the characters turn awareness into a humorous but meaningful invitation to become more present and awake.

Father O’Malley, Errol’s Inner World, and the Communion Story

Father O’Malley joins the gathering and jokes about being one of the voices who has tried to help Errol through anxiety, depression, and his “crazy times.” The characters tease the confusion of living inside Errol’s head while also praising his cleverness, especially the line, “It is never too late to be in the now.” Father O’Malley then tells a story about Errol and Rochelle being invited to serve communion at a cathedral. When told to say “The blood of Christ,” Errol cannot do it because of his different theological position, leading to a funny and revealing moment that captures the show’s blend of spiritual curiosity, discomfort, honesty, and humor.

Everything Comes Out of the Now

The conversation settles into a deeper reflection on the present moment. Professor Ambridge explains that the now is where a person is when they are not going backward into the past or forward into the future. Barney realizes that the now is the only place where anything can emerge, and Rabbi Greenberg adds that the now is always available, requiring no permission, tickets, or special achievement. The characters make the present moment feel both philosophical and accessible, turning mindfulness into something comic, practical, and immediate.

Fear, Faith, and the Search for Stability

Errol finally appears and shifts the episode into a direct reflection on fear. He suggests that people keep using fear because, at some level, they believe it will protect them, even though fear eventually betrays that promise. Professor Ambridge defines faith as “the active use of one’s will to act as if there were nothing to fear,” while Rabbi Greenberg humorously expands that into a triple “act as if” practice. Father O’Malley clarifies that faith does not necessarily make life safe, but it can make a person feel stable and secure even while uncertainty remains.

Free Will, Choice, and the Creative Closing

Errol closes by acknowledging the pain, uproar, and uncertainty of life, then offers a creative reflection on freedom, faith, doubt, loyalty, service, pleasure, pain, truth, and falsehood. The closing piece argues that choice matters because love, devotion, faith, and truth only become meaningful when alternatives are possible. The episode ends with Barney, Professor Ambridge, Rabbi Greenberg, Father O’Malley, and Errol thanking one another, inviting listeners to visit TheLaughingHeart.org and Strider Entertainment on YouTube, and encouraging everyone to be good to themselves.